I've been meaning to document my OSM to SVG process for a while now, I just had to run the process again recently, so here was a new chance to take screenshots along the way. The basic idea is to process a portion of …
Septième saison associés avec le Théatre de la Balsamine! Et pour celle-ci, sous le signe obligé mais d'une certaine jouissance, l'arte povera numérique d'OSP en auteur visuel et à l'écriture de modes d'emploi. Déplier une table pliante, bricoler un piège à mouche, tenir les voiles pendant la tempête, nouer ses …
Another type of tool practice.
It is with great sadness that we learned of the unexpected death of our board member Bram Crevits.
We will miss Bram’s energy and his persistent interest in the parcours of OSP. We first met him in 2009, as director of the Cimatics festival for which we made a …
Dirty variables workshop is about variable fonts with some distance and manual interpolation (with stroke fonts inside), with La Cambre master students in type media, Brussels, on the 26 + 27 March 2018.
We are using Fonttools and the ttx format, which is a clear xml dump of every table present …
Gijs and me joined L'édition comme expérience at La Villa Arson last week. Monday 12th and Tuesday 13th of March, two days to thread relations from Other ways, Consciousness raising to Montessori's esthetic, au pays de Célestin Freinet.
In parallel to the conferences and library books speaking, we crashed into …
Welcome to the new OSP blog! Happy to have you here. This post is titled reviving the OSP blog because in the last 5 years or so, the structure of our website has drastically changed. When this blog was started, on this day in 2006, Harrisson asked the question that …
Ce texte a été initialement écrit pour la revue Back Office. Pour des raisons de format, il n'y sera pas publié, mais nous sommes heureux de le partager ici avec vous dans sa version longue.
Depuis sa création en 2006, Open Source Publishing dessine des mises …
What can we learn about our current society by looking at the increasing production of art works that are made in cooperation with their audience? And in reverse, how does the general raise of cooperative activism in the society influence the arts?
The art centre BUDA, located in the West …
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